댓글 쓰기 권한이 없습니다. 로그인 하시겠습니까?
한국과학사학회지, 제28권 제2호 (2006), 227-479
괴테의 식물형태학: 자연철학과의 밀착성과 낭만주의적 속성을 중심으로 ( Goethe’s Plant Morphology: Consideration on Its Linkage with Naturphilosophie and Romantic Characteristics )
by 정혜경 ( GEONG Hae-Gyung )
첨부파일 '1' |
---|
초록 | This paper examines the Romantic science immanent in Goethe’s plant morphology, through the analysis of his natural science and the German Naturphilosophie. In the late 18th and the early 19th centuries, Europe went through the age of Romanticism, a reactionary movement against the European Enlightenment. In the period of Romanticism, however, especially the German philosophers, writers, and other intellectuals, who were relatively far from the influence of the Enlightenment, became deeply involved in a new kind of philosophy of nature called Naturphilosophie as an alternative to the Newtonian Enlightenment. They began to delve into organic forms of nature in order to reconcile mind with matter, history with nature, and art with science. Goethe, the most famous poet and the cultural representative of Germany, now became known as a prominent biologist in the period of Romanticism. Owing to the intellectual interaction with Schelling, the creator of Naturphilosophie, Goethe was able to develop a new sort of scientific discourse which inspired the harmony of science, philosophy, and aesthetics, coloring his natural science with Romantic character. As an advocate of science of morphology, Goethe elaborated two main ideas of the archetypal plant and metamorphosis in the plant kingdom: the archetypal plant might serve as a model to investigate metamorphosis of the whole organic realm as a way to understand all diverse variations of plant kingdom. Remarkably, Goethe reached the idea via experiment as a repetition of existing observations and results, not via imaginative exploration of the unknown. Simultaneously, his views on aesthetic appraisal became instrumental in the epistemological precept to the idea of metamorphosis. To Goethe’s mind, the basic structure of nature might be apprehended by not only scientist’s experiments but also artist’s sketches, which was possibly because both science and art employed creative imagination. Goethe’s science of plant morphology would be solid enough to establish its own scientific status in terms of its internal system, validity, and relations to other sciences and influences. In a nutshell, Goethe’s natural science, a combination of scientific way of Naturphilosophie and aesthetic appraisal, might be regarded as a Romantic science which covered philosophy and aesthetics the Enlightenment had missed. |
---|---|
주요어 | Goethe, plant morphology, Romantic science, Naturphilosophie, archetypal plant, metamorphosis |
정혜경 ( GEONG Hae-Gyung ), "괴테의 식물형태학: 자연철학과의 밀착성과 낭만주의적 속성을 중심으로 ( Goethe’s Plant Morphology: Consideration on Its Linkage with Naturphilosophie and Romantic Characteristics )", 『한국과학사학회지』 28권 2호 (2006), 227-479
Category
- 제45권 (2023)
- 제44권 (2022)
- 제43권 (2021)
- 제42권 (2020)
- 제41권 (2019)
- 제40권 (2018)
- 제39권 (2017)
- 제38권 (2016)
- 제37권 (2015)
- 제36권 (2014)
- 제35권 (2013)
- 제34권 (2012)
- 제33권 (2011)
- 제32권 (2010)
- 제31권 (2009)
- 제30권 (2008)
- 제29권 (2007)
- 제28권 (2006)
- 제27권 (2005)
- 제26권 (2004)
- 제25권 (2003)
- 제24권 (2002)
- 제23권 (2001)
- 제22권 (2000)
- 제21권 (1999)
- 제20권 (1998)
- 제19권 (1997)
- 제18권 (1996)
- 제17권 (1995)
- 제16권 (1994)
- 제15권 (1993)
- 제14권 (1992)
- 제13권 (1991)
- 제12권 (1990)
- 제11권 (1989)
- 제10권 (1988)
- 제9권 (1987)
- 제8권 (1986)
- 제7권 (1985)
- 제6권 (1984)
- 제5권 (1983)
- 제4권 (1982)
- 제3권 (1981)
- 제2권 (1980)
- 제1권 (1979)
Designed by sketchbooks.co.kr / sketchbook5 board skin